What a production lead does
When a family goes on a trip, one person makes sure the tickets are bought, the bags are packed and everybody knows when to leave. A production lead is that person for a shoot. You do not carry every bag, but the trip works because of you.
- A video project has three phases: pre-production (planning), production (the shoot) and post-production (editing and delivery). Most shoot problems start in pre-production, because something was not planned.
- A production lead (in small teams, a producer, line producer or "head of production") owns four things: the plan (what, where, when), the people (who does which job), the safety (everyone goes home well) and the footage (it is captured, checked and handed over).
- A director decides how the story is told on screen. On a small shoot one person may be both producer and director. Write down which hat you wear at each moment: "producer hat" for time and safety, "director hat" for performance and shots.
- Decide three things before anything else: the goal (what the video must do), the audience and the deadline. Write them in one sentence each. Use your style blueprint idea from course 4.8 if you edit your own work.
- Say no early. If the plan needs more time, people or money than you have, change the plan before the shoot, not on the day.
- Keep a single source of truth: one shared folder or document where the latest plan, schedule, call sheet and contacts live. Old versions are marked and moved away.
- A lead's job is calm. Stress on set often comes from missing information; your documents are how you prevent it.
- Write the goal, audience and deadline of your shoot in three sentences.
- Write the three phases on a page and list two tasks you must finish in each.
- Write the four things you own (plan, people, safety, footage) and one question you must answer for each. Example: "Plan: how long does each setup take?"
- Decide which hats you wear (producer, director, camera) and write them down. If you wear more than two, ask for help with one.
- Create one shared folder called "Production" with subfolders: Plan, Call sheets, Releases and permits, Footage, Wrap.
- Check: someone who has never heard of your shoot can open the folder and tell what the shoot is, when it is and who is in charge.
Read the video script
[Host] "A production lead does not hold the camera. A production lead makes sure the shoot works."
[Text on screen: Pre-production. Production. Post-production.] "Three phases. Most problems start in the first one."
[Text on screen: Plan. People. Safety. Footage.] "You own four things: the plan, the people, the safety and the footage."
[Screen: shared folder] "Keep everything in one place, so everyone has the same information."
[Host] "Say no early, in the plan, not on shoot day."
Write a one-page production brief for a real or practice shoot: goal, audience, deadline, hats you wear and the four things you own. Show it to one person and ask what is unclear.
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I'm learning "Production Lead: direct shoots" on The Future Market. Lesson 1: "What a production lead does". What the lesson teaches: - A video project has three phases: pre-production (planning), production (the shoot) and post-production (editing and delivery). Most shoot problems start in pre-production, because something was not planned. - A production lead (in small teams, a producer, line producer or "head of production") owns four things: the plan (what, where, when), the people (who does which job), the safety (everyone goes home well) and the footage (it is captured, checked and handed over). - A director decides how the story is told on screen. On a small shoot one person may be both producer and director. Write down which hat you wear at each moment: "producer hat" for time and safety, "director hat" for performance and shots. - Decide three things before anything else: the goal (what the video must do), the audience and the deadline. Write them in one sentence each. Use your style blueprint idea from course 4.8 if you edit your own work. - Say no early. If the plan needs more time, people or money than you have, change the plan before the shoot, not on the day. - Keep a single source of truth: one shared folder or document where the latest plan, schedule, call sheet and contacts live. Old versions are marked and moved away. - A lead's job is calm. Stress on set often comes from missing information; your documents are how you prevent it. The exercise I'm working on: Write a one-page production brief for a real or practice shoot: goal, audience, deadline, hats you wear and the four things you own. Show it to one person and ask what is unclear. --- I'm stuck. Please: 1. Explain the main idea in plain, simple words with one everyday example. 2. Walk me through the exercise one small step at a time. Ask me what I've done so far before giving the next step. 3. Don't just give me the final answer. Help me do it myself, and check my work when I share it.
I'm a parent helping my child (about 8 years old) with a lesson called "What a production lead does" from the course "Production Lead: direct shoots". Here's what the lesson says: When a family goes on a trip, one person makes sure the tickets are bought, the bags are packed and everybody knows when to leave. A production lead is that person for a shoot. You do not carry every bag, but the trip works because of you. The activity: Write a one-page production brief for a real or practice shoot: goal, audience, deadline, hats you wear and the four things you own. Show it to one person and ask what is unclear. --- Please explain this so an 8-year-old understands: short sentences, a fun everyday example, and no hard words. Then give me 3 simple questions I can ask my child to check they understood, and a way to do the activity together, one tiny step at a time.
Plan the shoot: shot list, schedule, locations and permits
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Crew roles and the call sheet
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Safety on set
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Directing people and leading the crew
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Run the shoot day and protect the footage
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Hand-off, review and teaching others
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Final project
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Quiz
What are the three phases of production?
Pre-production, production and post-production.
What four things does a production lead own?
The plan, the people, the safety and the footage.
Why shoot by location rather than story order?
It saves moving time; group the shots in one place together.
Why check your city's film permit rules before shooting on public property?
Permits and rules differ by city and country.
What does a call sheet normally include?
Call times, locations and parking, schedule, contacts, weather, nearest hospital, safety notes.
What is the difference between safety guidelines and workplace safety law?
Guidelines advise; the law is what you must follow.
How long is the recommended daily safety meeting and who leads it?
2 to 5 minutes at call time, led by the 1st assistant director.
What must a worker do who believes the work is likely to endanger their health?
Tell the supervisor or employer immediately and explain why.
Why give a task instead of a feeling when directing non-actors?
Real tasks make natural faces and are easier to follow than "act more excited".
When may you erase a camera card?
Only after the footage is copied to two places and the files are checked.
What goes in a wrap report?
What was filmed and not filmed, problems, near misses, hours, gear issues and what to fix next time.
What makes a short teaching session work?
A clear goal, one idea, one example, one practice task and one check.
Final exam
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Certificate
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