THE FUTURE MARKETACADEMY
Your classroomRoom 14 · Music Hall
School of Music

Piano 3: Advanced (technique, harmony, playing by ear)

What you'll be able to do
  • Build a daily technique routine (scales, arpeggios, exercises) that grows speed without strain.
  • Build and voice seventh chords, and use the ii-V-I progression in any key.
  • Use the circle of fifths, secondary dominants and borrowed chords to understand and reharmonize songs.
  • Recognize intervals and chord qualities by ear.
  • Work out a melody, bass line and chords by ear, and transpose a song to another key.
  • Improvise over a 12-bar blues and prepare a confident performance.

Before you start: you should read the grand staff, play major scales in C, G, D and F, and accompany a song from a lead sheet (Piano 2).

Words in this course 62Open the Vocabulary Hall
01

Technique that lasts: scales, arpeggios and healthy practice

In simple words

Fast fingers come from relaxed fingers, not squeezed ones. It's like running: if you clench your whole body, you get tired fast. Loose shoulders, soft wrists, and lots of slow, careful practice make you quick later.

Key facts
  • Relaxation and weight: let the arm's weight drop into the key and release right after the sound. Extra tension is a common enemy of speed and endurance.
  • Wrist rotation: small rolling movements of the forearm help in broken chords and Alberti-type patterns, instead of lifting each finger hard.
  • All 12 major scales: once C, G, D, A and E use fingering 1 2 3 1 2 3 4 5 (right hand), work around the circle of fifths (Lesson 3) to the flat keys, which have their own fingerings. Use a fingering chart from a scale book.
  • Arpeggios: a broken chord over several octaves (C E G C E G C). Common right-hand fingering for C major root position: 1 2 3 1 2 3 5.
  • Hanon: Charles-Louis Hanon's "The Virtuoso Pianist in 60 Exercises" was first published in 1873 and is now public domain. Use it in moderation and always with relaxed hands.
  • Healthy practice: a university music health guide advises not playing longer than 45 minutes without a break and increasing practice by no more than about 10 minutes per day. Pain that lasts is a reason to stop and see a doctor or physiotherapist.
Metronome ladder (for any passage)
Step 1: 60 BPM x3 clean
Step 2: 64 BPM x3 clean
Step 3: 68 BPM x3 clean
... keep going until it breaks, then finish 2 steps below your top speed.
Step by step
  1. Sit with a straight back, loose shoulders and relaxed wrists.
  2. Spend 5 minutes on scales in 3 keys, hands together, two octaves, eighth notes at 80 BPM.
  3. Spend 5 minutes on arpeggios in the same 3 keys, hands separate, two octaves.
  4. Spend 5 minutes on Hanon exercise No. 1 at a comfortable tempo, thinking "weight in, then release".
  5. Pick the hardest 2 bars of a piece. Set a metronome to 60 BPM and play them clean 3 times.
  6. Raise the tempo by 4 BPM each step. When it breaks, go back two steps.
  7. Take a break after 45 minutes at most.
  8. Check: you ended the session without tight shoulders or sore hands.
LESSON 01Technique that lasts: scales, arpeggios and healthy practice
LESSON 01 / ANIMATED LESSON / AI VOICE00:00 / 01:15
Read the video script
[Host, slow-motion of a relaxed hand] "Speed is not strength. Speed is relaxation repeated."
[Screen: forearm gently rotating through a broken chord] "Let the forearm roll. The fingers don't have to do all the work."
[Text on screen: METRONOME LADDER 60, 64, 68] "Three clean run-throughs, then four clicks faster. When it breaks, step back."
[Screen: Hanon exercise page, 1873] "Hanon's exercises are from 1873 and still useful. Just keep the hands loose."
[Host] "And take a break every forty-five minutes. Your career is decades, not one week."
Try it now
  • 5 minutes: Scales in 3 keys (rotate daily), hands together, two octaves, eighth notes at 80 BPM.
  • 5 minutes: Arpeggios on the same 3 keys, hands separate, two octaves.
  • 5 minutes: One Hanon exercise (No. 1 is fine) at a comfortable tempo, focusing on loose shoulders.
  • 5 minutes: The metronome ladder on the hardest 2 bars of a piece you are learning.
ClaudeStuck? Copy a ready-made prompt for Claude

Copy this, open Claude, paste it, and Claude will walk you through the lesson step by step.

For a grown-up: Claude is for adults (18+). Copy this, paste it into Claude, and use the answer to explain the lesson to your child.

I'm learning "Piano 3: Advanced (technique, harmony, playing by ear)" on The Future Market. Lesson 1: "Technique that lasts: scales, arpeggios and healthy practice".

What the lesson teaches:
- Relaxation and weight: let the arm's weight drop into the key and release right after the sound. Extra tension is a common enemy of speed and endurance.
- Wrist rotation: small rolling movements of the forearm help in broken chords and Alberti-type patterns, instead of lifting each finger hard.
- All 12 major scales: once C, G, D, A and E use fingering 1 2 3 1 2 3 4 5 (right hand), work around the circle of fifths (Lesson 3) to the flat keys, which have their own fingerings. Use a fingering chart from a scale book.
- Arpeggios: a broken chord over several octaves (C E G C E G C). Common right-hand fingering for C major root position: 1 2 3 1 2 3 5.
- Hanon: Charles-Louis Hanon's "The Virtuoso Pianist in 60 Exercises" was first published in 1873 and is now public domain. Use it in moderation and always with relaxed hands.
- Healthy practice: a university music health guide advises not playing longer than 45 minutes without a break and increasing practice by no more than about 10 minutes per day. Pain that lasts is a reason to stop and see a doctor or physiotherapist.

The exercise I'm working on:
- 5 minutes: Scales in 3 keys (rotate daily), hands together, two octaves, eighth notes at 80 BPM. - 5 minutes: Arpeggios on the same 3 keys, hands separate, two octaves. - 5 minutes: One Hanon exercise (No. 1 is fine) at a comfortable tempo, focusing on loose shoulders. - 5 minutes: The metronome ladder on the hardest 2 bars of a piece you are learning.

I'm stuck. Please:
1. Explain the main idea in plain, simple words with one everyday example.
2. Walk me through the exercise one small step at a time. Ask me what I've done so far before giving the next step.
3. Don't just give me the final answer. Help me do it myself, and check my work when I share it.
I'm a parent helping my child (about 8 years old) with a lesson called "Technique that lasts: scales, arpeggios and healthy practice" from the course "Piano 3: Advanced (technique, harmony, playing by ear)".

Here's what the lesson says:
Fast fingers come from relaxed fingers, not squeezed ones. It's like running: if you clench your whole body, you get tired fast. Loose shoulders, soft wrists, and lots of slow, careful practice make you quick later.

The activity:
- 5 minutes: Scales in 3 keys (rotate daily), hands together, two octaves, eighth notes at 80 BPM. - 5 minutes: Arpeggios on the same 3 keys, hands separate, two octaves. - 5 minutes: One Hanon exercise (No. 1 is fine) at a comfortable tempo, focusing on loose shoulders. - 5 minutes: The metronome ladder on the hardest 2 bars of a piece you are learning.

Please explain this so an 8-year-old understands: short sentences, a fun everyday example, and no hard words.
Then give me 3 simple questions I can ask my child to check they understood, and a way to do the activity together, one tiny step at a time.
Open Claude
Sources
My notes
02

Seventh chords and the ii-V-I

This lesson is part of full access: every course and every level for one payment.

03

The circle of fifths, secondary dominants and borrowed chords

This lesson is part of full access: every course and every level for one payment.

04

Voicing and reharmonizing

This lesson is part of full access: every course and every level for one payment.

05

Ear training: intervals and chord qualities

This lesson is part of full access: every course and every level for one payment.

06

Playing by ear and transposing

This lesson is part of full access: every course and every level for one payment.

07

Improvising over the blues and performing

This lesson is part of full access: every course and every level for one payment.

++

Final project

This lesson is part of full access: every course and every level for one payment.

??

Quiz

  1. What are the notes of a C dominant 7th chord?

  2. What is the ii-V-I progression in C major?

  3. What is the next key clockwise after D on the circle of fifths?

  4. What is the relative minor of F major?

  5. In C major, which chord is the secondary dominant that leads to G?

  6. What is a borrowed chord commonly used in C major?

  7. How many half steps are in a perfect 5th?

  8. Which interval begins "Amazing Grace"?

  9. What are the chords of a 12-bar blues in C, by bar?

  10. What are the notes of the C blues scale?

  11. When was Hanon's "The Virtuoso Pianist" first published?

EX

Final exam

This lesson is part of full access: every course and every level for one payment.

CE

Certificate

This lesson is part of full access: every course and every level for one payment.