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School of Creative Arts

Professional Songwriting: co-writing and rights

Step 6 of 6 in Arts Hall

Next in your path: 11.3.4 Band Business: rights, tours and management

What you'll be able to do
  • Prepare for and lead a professional co-writing session, in a room or online.
  • Keep the session moving: capture ideas, settle disagreements and finish a song in one sitting.
  • Agree credits and splits on the day, and fill in a complete split sheet.
  • Explain who owns a song and a recording, and why every transfer of rights should be in writing.
  • Register your songs and keep clean metadata (writers, splits, ISWC for the song, ISRC for the recording).
  • Read the main terms of a licence or publishing deal and know when to ask a lawyer (education only).
  • Lead a song review session or a short co-writing workshop for other writers.
  • Finish a portfolio piece plus a short teaching or review session that proves mastery.
Words in this course 48Open the Vocabulary Hall
01

The professional co-write: roles and preparation

In simple words

Writing a song with friends is like building a sandcastle together. It goes better when someone brings the buckets, someone knows where the water is, and everyone agrees at the start that the castle belongs to all of you.

Before this course: Arranging & Home Production: demos and collaboration (course 11.4.3). You should already be able to give each instrument a job, record and mix a clean demo, export stems with a session note, and keep a rights file and credits list. This course is about writing with other people at a professional level, handling the business side, and teaching what you know.

Key facts
  • A co-write is a session where two or more people write a song together. Co-writing is common in professional songwriting.
  • Common roles in the room (one person can hold more than one):
RoleWhat they bring
LyricistWords, title ideas, the story and point of view
Melody writer (topliner)The sung melody, often written over a track or chords
Track or music writerChords, groove, a beat or an instrumental track
ArtistThe voice and the story the song must fit
Session leadKeeps time, steers decisions and makes sure the song gets finished
  • Writing credit is not the same as other credits. A producer, engineer or player is credited for their work on the recording. They share in the song (the music and lyrics) only if they helped write it and everyone agrees.
  • Prepare before you arrive: a list of title ideas, a few lyric lines, one or two melody or chord ideas recorded on your phone, and what you know about the artist or project.
  • Agree the basics at the start: who is in the room, what the song is for, how you will record ideas, and how you plan to split the song (Lesson 3). Talking about splits early prevents fights later.
  • Professional habits: arrive on time, keep your phone for recording ideas only, say "yes, and..." before "no", and never bring someone else's lyrics or melody as if they were yours.
  • Online co-writes: agree the meeting app, share one document for lyrics, send voice memos to one shared folder, and set the time zone in writing.
Step by step
  1. Write down what the session is for: an artist's project, a pitch, or your own release.
  2. Prepare a "co-write pack": 5 title ideas, 4 lyric lines, 2 short melody or chord voice memos.
  3. Find out who else is coming and what they usually bring (lyrics, melody, track).
  4. Send a short message before the day: time, place or link, and "Let's agree splits before we finish."
  5. Set up one shared folder for voice memos and one shared lyric document.
  6. At the start of the session, agree roles, the goal and how ideas will be recorded.
  7. Check: before any writing starts, everyone knows the goal, their role, where ideas are saved and that splits will be agreed on the day.
Watch on YouTube
Co-writing tips from songwriters who write with artistsSongTown · YouTube · youtube.com
How to be a great co-writer: songwriting etiquetteJacy Dawn Valeras · YouTube · youtube.com

Videos by other creators on YouTube, for reference. They are not made by or affiliated with The Future Market.

LESSON 01The professional co-write: roles and preparation
LESSON 01 / ANIMATED LESSON / AI VOICE00:00 / 01:10
Read the video script
[Host at a table with a notebook and phone] "A co-write is a team sport. Know your role before the first chord."
[Text on screen: Lyricist · Topliner · Track writer · Artist · Session lead] "Lyricist, melody writer, track writer, artist, session lead. One person can do more than one."
[Screen: phone with five title ideas and two voice memos] "Bring a co-write pack: titles, a few lines, a couple of melody ideas."
[Screen: shared folder named Voice memos] "Agree where every idea is saved, before anyone sings a note."
[Host] "And say it early: we'll agree the splits before we leave today."
Try it now

Build your co-write pack (5 titles, 4 lines, 2 voice memos) and write the short pre-session message you would send to a co-writer.

ClaudeStuck? Copy a ready-made prompt for Claude

Copy this, open Claude, paste it, and Claude will walk you through the lesson step by step.

For a grown-up: Claude is for adults (18+). Copy this, paste it into Claude, and use the answer to explain the lesson to your child.

I'm learning "Professional Songwriting: co-writing and rights" on The Future Market. Lesson 1: "The professional co-write: roles and preparation".

What the lesson teaches:
- A co-write is a session where two or more people write a song together. Co-writing is common in professional songwriting.
- Common roles in the room (one person can hold more than one):
- Role - What they bring
- Lyricist - Words, title ideas, the story and point of view
- Melody writer (topliner) - The sung melody, often written over a track or chords
- Track or music writer - Chords, groove, a beat or an instrumental track
- Artist - The voice and the story the song must fit

The exercise I'm working on:
Build your co-write pack (5 titles, 4 lines, 2 voice memos) and write the short pre-session message you would send to a co-writer. ---

I'm stuck. Please:
1. Explain the main idea in plain, simple words with one everyday example.
2. Walk me through the exercise one small step at a time. Ask me what I've done so far before giving the next step.
3. Don't just give me the final answer. Help me do it myself, and check my work when I share it.
I'm a parent helping my child (about 8 years old) with a lesson called "The professional co-write: roles and preparation" from the course "Professional Songwriting: co-writing and rights".

Here's what the lesson says:
Writing a song with friends is like building a sandcastle together. It goes better when someone brings the buckets, someone knows where the water is, and everyone agrees at the start that the castle belongs to all of you.

The activity:
Build your co-write pack (5 titles, 4 lines, 2 voice memos) and write the short pre-session message you would send to a co-writer. ---

Please explain this so an 8-year-old understands: short sentences, a fun everyday example, and no hard words.
Then give me 3 simple questions I can ask my child to check they understood, and a way to do the activity together, one tiny step at a time.
Open Claude
My notes
02

Running the session: capture, decide, finish

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03

Credits, splits and the split sheet

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04

Who owns the song: contributions, jobs and transfers

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05

Registering works and getting the metadata right

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06

Licences, deals and how long rights last

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07

Teaching and reviewing: lead other songwriters

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++

Final project

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??

Quiz

  1. What should co-writers agree at the start of a session?

  2. Does a producer automatically share in the song's writing?

  3. How should co-writers settle a disagreement about a line?

  4. Why say the date and writers at the start of a voice memo?

  5. What must the shares on a split sheet add up to?

  6. Name two common ways to split a song.

  7. What is the difference between an assignment and a licence?

  8. Why should every agreement about ownership be in writing?

  9. What does an ISWC identify, and what does an ISRC identify?

  10. Why does consistent metadata matter?

  11. Name three terms to read in any music deal.

  12. What order do reviewers follow in a song review circle?

EX

Final exam

This lesson is part of full access: every course and every level for one payment.

CE

Certificate

This lesson is part of full access: every course and every level for one payment.