Before this course: Arranging & Home Production: demos and collaboration (course 11.4.3). You should already be able to give each instrument a job, record and mix a clean demo, export stems with a session note, and keep a rights file and credits list. This course is about writing with other people at a professional level, handling the business side, and teaching what you know.
The professional co-write: roles and preparation
Writing a song with friends is like building a sandcastle together. It goes better when someone brings the buckets, someone knows where the water is, and everyone agrees at the start that the castle belongs to all of you.
- A co-write is a session where two or more people write a song together. Co-writing is common in professional songwriting.
- Common roles in the room (one person can hold more than one):
| Role | What they bring |
|---|---|
| Lyricist | Words, title ideas, the story and point of view |
| Melody writer (topliner) | The sung melody, often written over a track or chords |
| Track or music writer | Chords, groove, a beat or an instrumental track |
| Artist | The voice and the story the song must fit |
| Session lead | Keeps time, steers decisions and makes sure the song gets finished |
- Writing credit is not the same as other credits. A producer, engineer or player is credited for their work on the recording. They share in the song (the music and lyrics) only if they helped write it and everyone agrees.
- Prepare before you arrive: a list of title ideas, a few lyric lines, one or two melody or chord ideas recorded on your phone, and what you know about the artist or project.
- Agree the basics at the start: who is in the room, what the song is for, how you will record ideas, and how you plan to split the song (Lesson 3). Talking about splits early prevents fights later.
- Professional habits: arrive on time, keep your phone for recording ideas only, say "yes, and..." before "no", and never bring someone else's lyrics or melody as if they were yours.
- Online co-writes: agree the meeting app, share one document for lyrics, send voice memos to one shared folder, and set the time zone in writing.
- Write down what the session is for: an artist's project, a pitch, or your own release.
- Prepare a "co-write pack": 5 title ideas, 4 lyric lines, 2 short melody or chord voice memos.
- Find out who else is coming and what they usually bring (lyrics, melody, track).
- Send a short message before the day: time, place or link, and "Let's agree splits before we finish."
- Set up one shared folder for voice memos and one shared lyric document.
- At the start of the session, agree roles, the goal and how ideas will be recorded.
- Check: before any writing starts, everyone knows the goal, their role, where ideas are saved and that splits will be agreed on the day.
Videos by other creators on YouTube, for reference. They are not made by or affiliated with The Future Market.
Read the video script
[Host at a table with a notebook and phone] "A co-write is a team sport. Know your role before the first chord."
[Text on screen: Lyricist · Topliner · Track writer · Artist · Session lead] "Lyricist, melody writer, track writer, artist, session lead. One person can do more than one."
[Screen: phone with five title ideas and two voice memos] "Bring a co-write pack: titles, a few lines, a couple of melody ideas."
[Screen: shared folder named Voice memos] "Agree where every idea is saved, before anyone sings a note."
[Host] "And say it early: we'll agree the splits before we leave today."
Build your co-write pack (5 titles, 4 lines, 2 voice memos) and write the short pre-session message you would send to a co-writer.
ClaudeStuck? Copy a ready-made prompt for Claude
Copy this, open Claude, paste it, and Claude will walk you through the lesson step by step.
For a grown-up: Claude is for adults (18+). Copy this, paste it into Claude, and use the answer to explain the lesson to your child.
I'm learning "Professional Songwriting: co-writing and rights" on The Future Market. Lesson 1: "The professional co-write: roles and preparation". What the lesson teaches: - A co-write is a session where two or more people write a song together. Co-writing is common in professional songwriting. - Common roles in the room (one person can hold more than one): - Role - What they bring - Lyricist - Words, title ideas, the story and point of view - Melody writer (topliner) - The sung melody, often written over a track or chords - Track or music writer - Chords, groove, a beat or an instrumental track - Artist - The voice and the story the song must fit The exercise I'm working on: Build your co-write pack (5 titles, 4 lines, 2 voice memos) and write the short pre-session message you would send to a co-writer. --- I'm stuck. Please: 1. Explain the main idea in plain, simple words with one everyday example. 2. Walk me through the exercise one small step at a time. Ask me what I've done so far before giving the next step. 3. Don't just give me the final answer. Help me do it myself, and check my work when I share it.
I'm a parent helping my child (about 8 years old) with a lesson called "The professional co-write: roles and preparation" from the course "Professional Songwriting: co-writing and rights". Here's what the lesson says: Writing a song with friends is like building a sandcastle together. It goes better when someone brings the buckets, someone knows where the water is, and everyone agrees at the start that the castle belongs to all of you. The activity: Build your co-write pack (5 titles, 4 lines, 2 voice memos) and write the short pre-session message you would send to a co-writer. --- Please explain this so an 8-year-old understands: short sentences, a fun everyday example, and no hard words. Then give me 3 simple questions I can ask my child to check they understood, and a way to do the activity together, one tiny step at a time.
Running the session: capture, decide, finish
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Credits, splits and the split sheet
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Who owns the song: contributions, jobs and transfers
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Registering works and getting the metadata right
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Licences, deals and how long rights last
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Teaching and reviewing: lead other songwriters
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Final project
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Quiz
What should co-writers agree at the start of a session?
The goal, their roles, where ideas are saved, and that splits will be agreed on the day.
Does a producer automatically share in the song's writing?
No. Only if they helped write the music or lyrics and everyone agrees.
How should co-writers settle a disagreement about a line?
Sing and record both versions, listen back and choose using the agreed rule.
Why say the date and writers at the start of a voice memo?
So there is a clear record of when the idea was made and who was there.
What must the shares on a split sheet add up to?
Exactly 100%.
Name two common ways to split a song.
An equal split, or a split based on each writer's contribution.
What is the difference between an assignment and a licence?
An assignment transfers ownership; a licence only gives permission to use.
Why should every agreement about ownership be in writing?
Rules differ by country and many require a signed writing; it also prevents disputes.
What does an ISWC identify, and what does an ISRC identify?
An ISWC identifies the song; an ISRC identifies one recording of it.
Why does consistent metadata matter?
If names, shares or codes do not match, uses of the song may not be connected to the right writers and payments can go wrong.
Name three terms to read in any music deal.
Any three of: rights, territory, duration, exclusivity, money, approvals, credit.
What order do reviewers follow in a song review circle?
What they remember, what works, then one question or suggestion.
Final exam
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Certificate
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