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School of Creative Arts

Professional Photography: lighting, editing and clients

Step 5 of 6 in Arts Hall

Next in your path: 11.4.3 Arranging & Home Production: demos and collaboration

What you'll be able to do
  • Control light on purpose: measure it, shape it and balance flash with the room.
  • Set up off-camera flash and use modifiers and classic portrait lighting patterns.
  • Run a complete RAW editing workflow with consistent, accurate colour.
  • Manage a client from first message to delivery, with a clear contract and licence.
  • Build a price from your costs, and understand the basics of tax and copyright for photographers in your country (Canada is the worked example).
  • Finish a graded portfolio project you can show.
Words in this course 70Open the Vocabulary Hall
01

Light as a system (read it before you shape it)

In simple words

Light is like water from a tap. A small tap close to you feels strong. A big tap far away feels gentle. A pro decides how big the tap is, how far away it is and where it points.

Before this course: Photography with Your Phone (course 11.2) and Event Photography & Video (course 11.5). You should already know the exposure triangle, window light, the shot list, consent and the 3-2-1 backup rule. This course goes one step deeper: you will control light, not just find it.

Key facts
  • Quality of light: a small light source relative to the subject gives hard light with sharp-edged shadows. A large source relative to the subject gives soft light with gentle shadows. Moving a light closer makes it effectively larger and softer.
  • Direction: front light is flat, side light shows shape and texture, back light creates rim glow and separation.
  • Inverse square law: light gets weaker quickly with distance. Doubling the distance from the light to the subject leaves about one quarter of the light.
  • Light ratio: the difference in brightness between the lit side and the shadow side. A small ratio looks gentle; a big ratio looks dramatic.
  • Read exposure with the histogram: a graph of dark to bright tones. Bunched against the right edge means highlights may be clipped (lost); bunched against the left means shadows may be clipped. In RAW you can recover more from shadows than from blown highlights, so protect highlights first.
  • Colour temperature: warm (orange) light from bulbs and sunset, cool (blue) light from shade and overcast. Mixed colours in one scene need a decision: gel, switch off one source, or choose one to match.
Step by step
  1. Pick one subject (a person or an object) and a dark room with one lamp.
  2. Place the lamp 1 metre from the subject and take a photo. Note the shadows.
  3. Move the lamp to 2 metres (double) and take another photo at the same settings. See how much darker it is.
  4. Put a large white sheet or diffuser between lamp and subject and photograph again. Note how the shadow edges soften.
  5. Move the lamp to the left, front, then behind the subject, one photo each.
  6. Open the photos in your editor and look at the histogram for each.
  7. Check: you can say which photos have hard or soft light, and where the shadow falls in each.
Watch on YouTube
Understand flash photography in 10 minutes or lessImprove Photography · YouTube · youtube.com

Videos by other creators on YouTube, for reference. They are not made by or affiliated with The Future Market.

LESSON 01Light as a system (read it before you shape it)
LESSON 01 / ANIMATED LESSON / AI VOICE00:00 / 01:00
Read the video script
[Host in a dark room with one lamp] "One lamp is all you need to learn light."
[Text on screen: Small source = hard. Large source = soft.] "A small light makes hard shadows. A big, close light makes soft ones."
[Screen: lamp moved from 1 m to 2 m, photo gets darker] "Double the distance and you get about a quarter of the light."
[Host] "Before you add gear, learn to read the light you already have."
Try it now

Photograph one subject with one lamp at four distances and directions. Label each photo hard or soft, front, side or back, and write one sentence on which you would use for a portrait and why.

ClaudeStuck? Copy a ready-made prompt for Claude

Copy this, open Claude, paste it, and Claude will walk you through the lesson step by step.

For a grown-up: Claude is for adults (18+). Copy this, paste it into Claude, and use the answer to explain the lesson to your child.

I'm learning "Professional Photography: lighting, editing and clients" on The Future Market. Lesson 1: "Light as a system (read it before you shape it)".

What the lesson teaches:
- Quality of light: a small light source relative to the subject gives hard light with sharp-edged shadows. A large source relative to the subject gives soft light with gentle shadows. Moving a light closer makes it effectively larger and softer.
- Direction: front light is flat, side light shows shape and texture, back light creates rim glow and separation.
- Inverse square law: light gets weaker quickly with distance. Doubling the distance from the light to the subject leaves about one quarter of the light.
- Light ratio: the difference in brightness between the lit side and the shadow side. A small ratio looks gentle; a big ratio looks dramatic.
- Read exposure with the histogram: a graph of dark to bright tones. Bunched against the right edge means highlights may be clipped (lost); bunched against the left means shadows may be clipped. In RAW you can recover more from shadows than from blown highlights, so protect highlights first.
- Colour temperature: warm (orange) light from bulbs and sunset, cool (blue) light from shade and overcast. Mixed colours in one scene need a decision: gel, switch off one source, or choose one to match.

The exercise I'm working on:
Photograph one subject with one lamp at four distances and directions. Label each photo hard or soft, front, side or back, and write one sentence on which you would use for a portrait and why. ---

I'm stuck. Please:
1. Explain the main idea in plain, simple words with one everyday example.
2. Walk me through the exercise one small step at a time. Ask me what I've done so far before giving the next step.
3. Don't just give me the final answer. Help me do it myself, and check my work when I share it.
I'm a parent helping my child (about 8 years old) with a lesson called "Light as a system (read it before you shape it)" from the course "Professional Photography: lighting, editing and clients".

Here's what the lesson says:
Light is like water from a tap. A small tap close to you feels strong. A big tap far away feels gentle. A pro decides how big the tap is, how far away it is and where it points.

The activity:
Photograph one subject with one lamp at four distances and directions. Label each photo hard or soft, front, side or back, and write one sentence on which you would use for a portrait and why. ---

Please explain this so an 8-year-old understands: short sentences, a fun everyday example, and no hard words.
Then give me 3 simple questions I can ask my child to check they understood, and a way to do the activity together, one tiny step at a time.
Open Claude
My notes
02

Off-camera flash

This lesson is part of full access: every course and every level for one payment.

03

Modifiers and portrait lighting patterns

This lesson is part of full access: every course and every level for one payment.

04

A full editing workflow with accurate colour

This lesson is part of full access: every course and every level for one payment.

05

Working with clients, from first message to delivery

This lesson is part of full access: every course and every level for one payment.

06

Pricing and the business basics (with Canadian examples)

This lesson is part of full access: every course and every level for one payment.

07

Portfolio, critique and your graded project

This lesson is part of full access: every course and every level for one payment.

++

Final project

This lesson is part of full access: every course and every level for one payment.

??

Quiz

  1. What happens to light when you double the distance from the light to the subject?

  2. Does a larger or a smaller light source (relative to the subject) make softer light?

  3. With flash, what does shutter speed mainly control?

  4. What does flash power mainly control?

  5. What is the sync speed?

  6. Which pattern shows a small triangle of light on the shadow-side cheek?

  7. Which colour space is the safe standard for web and social media?

  8. What should a licence or transfer (assignment) of copyright be to be valid?

  9. Why should your contract say how moral rights are handled?

  10. When do you generally have to register for sales tax such as GST/HST or VAT?

  11. What should you do before pricing a shoot?

  12. Why caption each portfolio image with the light you used?

EX

Final exam

This lesson is part of full access: every course and every level for one payment.

CE

Certificate

This lesson is part of full access: every course and every level for one payment.